Page 88 - 360.revista de Alta Velocidad - Nº 6
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Baron, Nacima.































                  Figure 2.B. Gares & Connexion institutionnal and industrial transformation: progressive
                            automomy from SNCF, anticipating neutrality to any railway operator


                       2.2      The art of converting a crowd into a stream


                 Following the legal and institutional changes, the station operator now works with a series of
                 “customers”: partnerships with rail companies, financial and real estate entities, commercial
                 developers (B2B); station users (B2C); other public institutions (B2G). Flows represent a central
                 topic in the negotiations conducted with all three clienteles (Bertolini L, Spit T, 1998). The volume
                 and sociodemographic characteristics of these flows are essential parameters in the profitability of
                 B2B operations. Smooth flows within stations generate customer satisfaction, which is central to a
                 good B2C relationship. Social acceptance of changes to the station, the quality of its integration
                 into the urban environment, its role as an attractive presence in a neighbourhood, are key to
                 good B2G relations (Mulders-KusumoIs C, 2005). In social sciences, therefore, flow represents
                 a “boundary object” (Trompette, P. Vinck, D. 2009., Pucci P. 2011), in other words a point of
                 convergence between institutions with different or diverging interests, as well as an object that
                 forms the basis for the construction of a series of political and financial arrangements. In this
                 sense, flow is a construction, it is not just something that is quantified, but something that is
                 produced. Organising a human multitude into a flow consists in a series of actions that are both
                 material and immaterial. Materially, it entails transforming a formless crowd into a series of
                 pedestrian streams in order to achieve performance objectives (relating to movement, commerce
                 and security). In immaterial terms, it entails a series of operations to translate mathematical
                 scales into economic scales. Traffic streaming is both a method and an essential goal of the ongoing
                 changes to stations. It consists in constructing the optimum conditions for passenger navigation
                 around stations, which themselves are envisaged as assemblies of spaces and temporalities with
                 the capacity to fertilise – and maximise – the commercial potential.
                 The transformation of crowd into flows signifies a profound shift both in social representations
                 and  in  operational  techniques.  This  change  is  not  historical,  yet  railway  companies  try  to
                 manage and control crowds and produce flows since a long time and had established a doctrine:
                 different arrival and departure halls, separate areas for freight and passenger traffic, waiting
                 areas and waiting rooms allocated to specific categories of passengers, shopping galleries, and
                 catering areas on the upper floor (Ribeill G., 1996). Nonetheless, the fear of the crowd is still
                 resurging as a threat, while flow appears to be the basis for the development of an economic




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